I began reading a book by Megan Hess about the life of Coco Chanel, one outlining her struggles, determination and inspirations that led her to become the icon she is. Coco’s creative vision was unquestionable; she revolutionalised fashion for women in the modern era and was able to reshape the women’s wardrobe through her undying love for fashion that is proven to have been the light amongst her darkness.
Here’s all there is to know about the early life of Coco Chanel ..
Gabrielle ‘Coco’ Chanel was born in 1883 in Saumur, a market town on the river Loire.
Her mother past away when she was 12 years old, and her father left her in a convent in the town of Aubazine.
She was taught to sew and undoubtedly had a natural flair.
Her uniform, featuring a white blouse and black pleated skirt was an influential trademark silhouette to her later career.
Coco then left the convent for the Notre Dame school in Moulins where her aunt Adrienne (a year her senior) was being educated.
Her skills were visible to her superiors and were able to find her employment in a draper’s store on the Rue de L’Horloge.
Coco wanted to become a singer so she began performing at a popular entertainment pavilion where she accepted a spot performing at a local cabaret.
She was loved so later moved to Vichy to establish her singing career.
‘Coco’ her name was derived from her role as a performer, whereby the crowd would call her Coco when she performed the two songs ‘Qui Qu’a vu Coco & Ko Ko Ri Ko’.
At the age of 20, Chanel met an ex-cavalry officer by the name of Etienne Balsan, they became lovers and so she ran away with him.
He was the catalyst to her visibility to the high society and upper class.
She used his connections to network and set up business opportunities.
She began her millinery label in Balsan’s Paris apartment.
Despite his infidelities, he displayed a life long loyalty to Chanel and they remained friends until his death in 1953.
She later found interest in an Englishman by the name of Arthur Capel, known as ‘Boy’ who was an accomplished Polo player and a wealthy businessman.
He showed faith in Coco and offered a loan to start her millinery business.
He went to marry Diana Wyndham, but continued his affair with Chanel until his sudden death in 1919 caused by a motorcycle accident on his way to see her.
A recent interview with Tim Gunn, a well-known American fashion consultant, by the Huff Post highlights his views about the Kardashian family ‘Valguar’ taste in fashion and his uncertainty as to why they are so publically exposed. Has our society’s obsession driven their success?
When it comes to fashion he says “Just consider this, if a Kardashian is wearing it, don’t”. He believes they portray a bad example to women, and their style lacks authenticity and design.
Despite the fact that I undoubtedly agree with his statement, ironically enough, my hand goes up in shame as I admit that curiosity takes the better of me and I can’t help but ‘check up’ on their social media updates.
A close inspection into the term ‘addiction’ reveals that it is an act of enthusiasm when one is devoted to a particular thing or activity. I’m convinced that humans are a form of substance abuse, one person to another.
The spiral effect of addiction turns into obsession, you begin to ‘love to hate’, but still can’t get enough, continuously leaving you wanting more. The easy part is that you are aware of it and you recognise the flaw in it, but how do you stop? Or better yet, subconsciously do you actually want to stop?
Let no opportunity go to waste, if one thing can be admired about this brazen family is that you can always make something out of nothing, it just takes commitment, persistence, and possibly some good genes.
Featured in this month’s issue of Harper’s Bazaar is an article titled ‘She’s the man’ which touches base on the reverse roles of men and women in fashion. “With men becoming more feminine and women becoming more masculine, this androgynous development is allowing for one concise, powerful message from the designers” says Justin O’Shea.
Trends have evolved considerably over the decades, but if I were to nominate an era of poise and elegance it would be the 1940’s; a time where men dressed like men, and women dressed like women.
We live in a stretch of innovation, development, and initiative, which embraces the concept of individuality and one’s unique style, but we often forget that going back to basics is the trendiest form of self-portrayal.
Isn’t it just so damn fine when he’s dressed in a tailored suit and she’s in a classic black dress?